Darlingside, which celebrated its ten-year anniversary in May of 2020, has long been praised for their harmonies and intelligent songwriting, described by NPR as “exquisitely-arranged, literary-minded, baroque folk-pop,” and which The New Yorker compared to David Crosby and the Byrds.
Their dynamic presence (crowded tightly together onstage for the audience to witness four voices turn to a singular texture of sound), paired with their sharp wit and wordplay, have made them a live-performance favorite, and their songs treasures for literary and lyric-loving fans.
Opening for Darlingside is Caitlin Canty
Caitlin Canty is an American singer/songwriter whose music carves a line through folk, blues, and country ballads. Her voice was called “casually devastating” by the San Francisco Chronicle and NPR Music describes her songs as having a “haunting urgency.”
Motel Bouquet, Canty’s third record, features ten original songs that hold her darkly radiant voice firmly in the spotlight. Produced by GRAMMY-winning Noam Pikelny (Punch Brothers) and recorded live over three days in Nashville, the album boasts a band of some of finest musicians in roots music, including fiddler Stuart Duncan and vocalist Aoife O’Donovan. Rolling Stone hails Motel Bouquet as “dreamy and daring” with “poetic lyrics and haunting melodies.”
Since the release of her critically-acclaimed Reckless Skyline in 2015, Canty has put thousands of miles on her songs, circling through the U.S. and Europe. She warmed up stages for Mary Chapin Carpenter, The Milk Carton Kids and Josh Ritter and recorded with longtime collaborators Darlingside and with Down Like Silver, her duo with Peter Bradley Adams. She won the Troubadour songwriting competition at the Telluride Bluegrass Festival, and her song, “Get Up,” was nominated for Song of the Year in the Folk Alliance International Music Awards. Canty’s original recordings have recently appeared on CBS’s Code Black and on the Netflix original series House of Cards.