More about KENNY WAYNE SHEPHERD

Thirty years ago, a Fender Strat-wielding teenager from Shreveport, Louisiana by the name of Kenny Wayne Shepherd brought the blues back to the mainstream. It was 1995, the era of furrow-browed grungesters, when a sandy-haired guitar prodigy unapologetically celebrated a genre often pushed to the margins. Shepherd’s arrival was a much-needed palette-cleanser from the existential dread of the times.

Now, three decades later, Shepherd is as vital as ever. No longer the child prodigy, he has ascended to master.  Still touring, recording, collaborating, and evolving, he’s returned to where it all began.

“This is the album that put me on the map, and I still enjoy listening to it because my goal has always been to make music I want to listen to,” Shepherd says. “Unfiltered and straight from the heart.”

In a short time, Shepherd rocketed from small clubs to cracking the Top 10 with his debut album. Ledbetter Heights was an unequivocal success, earning critical praise, industry accolades, a highly engaged fanbase that continues to this day, and the respect of blues and rock heavyweights across generations. The album went Gold within months and was certified Platinum by early 1996. That same year, Guitar World ranked Shepherd No. 3 blues artist behind only B.B. King and Eric Clapton.

Shepherd’s longevity is rare for an artist who broke through so young, rooted in a niche genre such as the blues. That could be because of Shepherd’s refusal to stand still. He’s a restless creative who has always had one foot firmly planted in the blues tradition and the other roaming the vast rock n’ roll landscape.